雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌，自2002年5月創刊以來，經過十年的努力，終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中，為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu

• Editors’ Note(第1頁)
• Contributors(第5頁)
• From the Archive(第8頁)
  • Historical Watermarks: Tao Yongbai Reveals the Unwritten Histories of Women Artists in China(第8頁)
  • Moving in Step with the Century: Tracing the Historical Footfalls of Chinese Women’s Art(第9頁)
• The Latest F Word: Undercurrents of Feminism in the Practices of Four Chinese Women Artists(第21頁)
• After Communism and Capitalism: On Jen Liu’s Political Economy of Matter(第37頁)
On Representations of Sex and Race in Ye Funa’s Odalisque Funa and After Dinner Party(第47頁)
Censorship and Stereotypes of Senior Women in Chinese Visual Culture(第57頁)
A Queer Way of Life: Ren Hang’s Photography(第67頁)
Angels Wear White: Sexuality, Marriage, Family, Sisterhood, and a New Feminist Consciousness in Chinese Films(第81頁)
Pause(第90頁)
• I am your Monolith, 2020(第90頁)
• A Diary of the Lockdown Lifted(第99頁)
• The Record of the Month of Wu Yin in the Year of Gengzi(第100頁)
Returns to the Homeplace: Personal Topographies of Memory in Contemporary Art from China(第105頁)
More than Forms: Decoding Circles in the Works of Zhang Jianjun and Yu Youhan(第113頁)
Resistance Is Not Always Futile: Reflecting on Taiwanese Art Collective Nation Oxygen(第129頁)
Social Discourse　Miffed About Miffy: Feng Feng Stirs Up an Age-old Debate on Artistic Shanzhai(第137頁)
Chinese Name Index(第142頁)